According to statistics from the National Film Administration, the box office of summer films in 2025 will be 11.966 billion yuan, with 321 million viewers, an increase of 2.76% and 12.75% year-on-year, respectively. Domestic films will account for 76.21% of the box office. The top 5 films at the box office are: "Nanjing Photography Studio" with 2.89 billion yuan, "Little Monsters on Langlang Mountain" with 1.455 billion yuan, "Wind Catcher" with 879 million yuan, "Litchi in Chang'an" with 678 million yuan, and "Jurassic World: Rebirth" with 567 million yuan. As of the end of August, the total box office of movies for the year has reached 39.292 billion yuan. This summer, over a hundred movies have been released consecutively, covering a variety of themes and genres, including comedy, suspense, animation, history, action, fantasy, and more. The reporter observed that on the audience rating website, "Nanjing Photography Studio", "The Battle of Luo Xiaohei 2", "Little Monsters on Langlang Mountain", "Stage", and "Chasing the Wind and Shadow" received high scores of 8 or above; Among them, "Little Monster of Langlang Mountain" surpassed the box office performance of "Journey of Lingya" and became the box office champion of Chinese 2D animated films in film history. The 'word-of-mouth effect' is particularly evident during the summer season, with some films achieving a box office decline due to their excellent quality. ”Huang Fu Yichuan, a researcher at the China Film Art Research Center and editor in chief of Contemporary Film magazine, stated that this summer's box office and audience numbers have both increased compared to the same period last year, which is the result of the "two-way rush" of high-quality content supply and rational audience consumption. Rao Shuguang, President of the China Film Critics Society, believes that the performance of films during this summer season has been outstanding, and young directors have shown creative vitality. "Chinese films need more new forces and expressions. Filmmakers can only create high-quality films by constantly innovating forms and strengthening positive interactions with audiences
Edit:He Chuanning Responsible editor:Su Suiyue
Source:People's Daily
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