In early summer, the "2025 Cultural Expo" Taiwan Cultural and Creative Youth Exchange Activity was launched in Shenzhen. 20 young entrepreneurs in the cultural and creative fields from both sides of the Taiwan Strait have engaged in in-depth dialogue on the integration and innovation of "data+culture", jointly exploring new opportunities for cross-strait cultural and creative industry cooperation. The event has specially set up a "cultural and creative project accelerator" section to assist young people from both sides of the Taiwan Strait in connecting with investment and financing institutions and industrial chain resources, injecting new momentum into the integrated development of cultural and creative industries for young people from both sides of the Taiwan Strait. The cultural genes that share the same roots and origins provide an inexhaustible source of inspiration and emotional drive for the integration of cultural and creative exchanges between young people from both sides of the Taiwan Strait. From the revitalization of the allusions in "The Book of Jin: Biography of Zhou Chu" and "New Tales of the World" by the Taiwanese film "Eliminating the Three Pests of Zhou Chu", to the reinterpretation of the essence of "Journey to the West" by the first domestic 3A game "Black Myth: Wukong", Chinese culture has always been the root and belonging of the spiritual connection between the two sides of the Taiwan Strait. This spiritual resonance is the deepest force of cross-strait cultural and creative cooperation, promoting the iteration and upgrading of cross-strait cultural and creative industries. The Taiwanese French blue porcelain brand, which claims to "bring back the glory of porcelain to China," has established a cultural and creative brand company in mainland China. Its products integrate diverse cultural elements and are widely popular in the market. Numerous Taiwanese youth teams have rooted themselves in rural areas of mainland China, perfectly combining modern technology, local elements, and aesthetic living, transforming rural communities into poetic dwellings. When the profound cultural heritage and vast market of mainland China are combined with the advantages of Taiwan's cultural and creative talents, brands, and rich market experience, the cultural bloodline between the two sides of the Taiwan Strait blends and stirs in the new era of cultural and creative industry landscape. The rise of China's soft power has brought unprecedented opportunities for young people from both sides of the Taiwan Strait to jointly explore the global cultural and creative market. The "Wandering Earth" film series has been highly acclaimed in North America, ushering in a new era of Chinese science fiction cinema. Its narrative structure with Chinese characteristics aligns with the visual thinking of the "community with a shared future for mankind" and Eastern wisdom, becoming a representation of traditional Chinese culture in the era of globalization. Since the beginning of this year, the globally acclaimed animated film "Ne Zha: The Demonic Children Roar in the Sea" has perfectly combined Eastern culture with modern aesthetics, and together with the "Wandering Earth" series of films, it heralds the rise of a new creative narrative in the film industry. Coincidentally, "Black Myth: Wukong" has sparked a "Journey to the West" craze overseas with its extremely high production standards and unique interpretation of Chinese culture, achieving both sales and reputation in the global gaming market. Their success will undoubtedly inspire more practitioners to follow suit, delve deeper into creating works based on excellent traditional Chinese culture, and showcase the beauty of Chinese culture to the world through the integration of traditional culture and modern technology. This blue ocean of cultural and creative industries is calling for more trendsetters. Chinese culture is a shared spiritual home for compatriots on both sides of the Taiwan Strait, and young people on both sides are guardians and inheritors of Chinese culture. In the golden age of the "going global" fan development of China's cultural and creative industry, it is timely for young people from both sides of the Taiwan Strait to join hands and explore the path of Chinese cultural innovation. Young people who are at the forefront of the times, master digital technology, and have innovative potential are the driving force of China's cultural and creative industries. From the "31 Measures" to the "Equal Treatment" policy, the mainland continues to release goodwill, paving a broad path for young cultural and creative talents from Taiwan to study, work, and start businesses in the mainland. At present, the areas with a good foundation for cross-strait cultural and creative exchanges and cooperation include film and television, advertising, animation, exhibitions, etc. In the future, priority can be given to developing industries with high technological relevance such as digital information, such as electronic games, software design, architectural design, environmental art, etc. Working together with young people from both sides of the Taiwan Strait, whether it is setting up their own cultural and creative brand companies, cross-border cultural and creative industries, participating in rural construction and innovation, or other development models, can achieve complementary advantages in the cultural and creative industries on both sides of the Taiwan Strait, and jointly promote Chinese culture to the world. When the power of youth intersects and surges in the common cultural home, I believe that while young people from both sides of the Taiwan Strait create world-renowned cultural products, they can also deepen their friendship and build consensus through joint efforts, and truly feel the warmth and strength of the "one family, two sides". (New Society)