On the evening of May 8th, the multimedia music and painting "Shengshi Pastoral Song" jointly presented by the Propaganda Department of the Communist Party of China's Nagqu City Committee and the Nagqu City Culture and Tourism Bureau, and the Nagqu City Art Troupe and the Chengdu Symphony Orchestra, was performed at the Chengdu Symphony Orchestra Concert Hall. This performance, which combines symphony, national instrumental music and 4D projection multimedia technology, is not only a double enjoyment of vision and hearing, but also a bridge for the external exchange of Tibetan culture in the form of art, showing the magnificent scenery and profound humanistic spirit of Xizang's music, and writing a new chapter of national unity in the new era. The work revolves around Xizang Naqu. Through rich artistic techniques and multiple perspectives, it praises the ever-changing development and changes of North Tibet Naqu under the leadership of the party and the state, as well as the charming natural landscape. At the same time, it also showcases the beautiful qualities of the people of Nagqu, such as simplicity, diligence, sincerity, and kindness, allowing more people to enter Nagqu, understand it, and appreciate it. The "Prosperous Age Pastoral Song" takes symphonic music as the main theme and is divided into four chapters and six parts. It cleverly combines Western and ethnic instruments with 4D multimedia images to depict vivid and lifelike natural scenery of the song. Starting from the prologue "Black Yak: Nora Qiong", the melodious and ethereal voice of Tibetan singer Naxudamba leads the audience into the vast and boundless grasslands of northern Tibet; The New Historical Ode, Colorful Nationalities, Beautiful Scenery and Splendid Age and other chapters unfold in turn, telling the historical changes, folk customs, beautiful scenery and modernization achievements of Xizang with music. In "Ode to the Grassland", female singer Gong Sandji showcases her unique original singing style, with a high pitched and gentle melody and a long-lasting aftertaste. With the unique "vineyard style" sound field design and advanced 4D surround projection technology of the Chengdu Symphony Orchestra Concert Hall, "Shengshi Pastoral" creates an immersive artistic space. Here, the sunrise on the grasslands of northern Tibet, the starry sky in the uninhabited areas of Qiangtang, the footsteps of herdsmen's migration, and the passionate symphony interweave to form a scene of time and music dialogue. Especially when the cheerful rhythm of Guozhuang and symphonic variations appear in the chapter of "Splendid Era", the audience seems to be able to feel the happy and harmonious new life of the people in that song. This performance is not only a successful case of deep cooperation between art groups from Sichuan and Tibet, but also an attempt to perfectly combine tradition with modernity, ethnicity with the international community. Composer Guo Sangang and the Nagqu City Art Troupe carefully selected and adapted multiple classic Tibetan songs, accompanied by professional performances by the Chengdu Symphony Orchestra, making this work both retain strong local characteristics and possess the charm of going global. As Ms. Zhou Weiwei, the music director and director of the concert, said, "The Pastoral of Prosperity is not only an art work, but also a true portrayal of Xizang's vibrant scene, and an important platform to promote exchanges and exchanges among ethnic groups." The successful performance of the multimedia audio and picture The Pastoral of Prosperity not only brought a high-level art feast to the audience, but also provided a new way for the spread of Xizang's traditional culture, and became a wonderful footnote in the cause of national unity and progress in the new era. (New Society)