Recently, the second season of the 52 episode animated series "Legend of Mountains and Seas" premiered on CCTV-1. The film revolves around the growth of young Yu, blending Eastern aesthetics with modern technology to embark on a heroic narrative that transcends time and space. After several days of broadcasting, the work has caused many reactions among the audience. Some viewers believe that the film combines education with entertainment, providing people with an additional understanding of Chinese mythology; Some viewers praised its excellent production, creating a visual and auditory feast of Eastern aesthetics; The audience also saw the progress and development of Chinese animation through the film... The second season of "Legend of Mountains and Seas" portrayed the plump image of young Yu. He, like ordinary people, has his own dreams and pursuits, but has gone through various hardships and experiences due to his complex background. Faced with the ups and downs of fate, he did not give up, but instead grew stronger and braver, gradually growing into a hero who is brave, persevering, warm and kind, fearless of challenges, and courageous in taking on responsibilities. When Yu's story is told within the framework of his youth growth, his positive and energetic image seems to transcend myths and history, entering the lives of ordinary people. The themes of family, friendship, justice, dreams, and other things that the work aims to convey also transcend time and space, entering the hearts of modern audiences. In terms of artistic expression, the drama adopts a typical task narrative mode to tell the story of young people's growth. From being questioned by the respected tribe members to fiercely fighting and taming the fierce beast, from bravely breaking through the lair of the unsupported Qi to rescue his fallen brothers, to turning the tide and helping the tribe overcome flood disasters, Yu made many contributions to the tribe over the years. This series of plots makes the hero's image more vivid and three-dimensional. In addition, the new generation of tribes such as Ji, A Da, and A Er tilled the soil and cultivated crops, ushering in the first ripening of the five grains; Animal training and animal husbandry, innovative tools; On the night of the bountiful harvest, they held out the first jar of sweet and sour wine, allowing the mellow aroma of brewing to permeate the entire tribe... With an innovative vision and courage to innovate, they realized their dreams through continuous practice. The portrayal of the villains in the film is equally brilliant, with Wu Zhiqi possessing both the cunning and cunning of the villains, as well as a tragic character. The complex portrayal of positive and negative characters in the work enriches the plot level of the video and creates a sense of immersion for the audience. The layered and progressive storylines continuously meet the audience's viewing expectations, creating multi-dimensional and complex interpretation spaces for narrative meaning. The film utilizes animation CG technology to create visual wonders, bringing the audience an artistic feast of ancient mythological stories. The production team conducted research on character design and clothing style, and meticulously restored the Lei Chong patterns, jade shapes, and tribal costumes of Dayu based on historical records. Not only that, the drama uses modern animation technology to showcase ancient costume aesthetics, striving to present the ancient humanistic style. In addition, the scene construction of the film is based on literature and classics such as "Shan Hai Jing", "Records of the Grand Historian", "Shang Shu · Yu Gong", etc., using the Shimao Site, La Jia Site, and other design prototypes. Through dynamic ink rendering technology and high-precision CG modeling, the production team has created a unique and enchanting fantasy atmosphere with the Chongtribe. Each frame inherits the traditional aesthetic of the East, presenting the magnificent mountains and rivers from ancient books vividly to the audience. The perfect integration of technology and art creates a dazzling visual spectacle for the audience, and creates a story space full of immersion and immersion for hero growth writing. In short, the second season of "Legend of Mountains and Seas" successfully combines ancient myths with modern animation technology through in-depth exploration and careful refinement of traditional culture, giving new vitality to ancient stories. It not only reinterprets the legend of heroes from a contemporary perspective, but also showcases the unique charm of Eastern aesthetics in both visual and narrative aspects. This work has received high praise and provides a useful reference for future Chinese animation creation. We should further explore the depth and breadth of emotional storytelling on the basis of inheriting the tradition of national creation, explore the resonance points between the story and the audience's emotions, and construct a more culturally subjective expression from the profoundness of ideological themes, the innovation of artistic expression, to the excellence of production level. Only in this way can we maintain the uniqueness of our national culture and win widespread recognition from the audience, truly achieving high-quality development of Chinese animation. (New Society)